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Paul Strand was, personally, an aloof man. In a new retrospective, we see how this detachment helped him shape modern photography. By Morgan Meis
I never understood my father. But when a condition threatened my eyes, I came a little closer to insight. By Albert DiBartolomeo
In Thomas Struth's retrospective, sometimes his "precise looking" helps history flow. Sometimes it freezes it dead. By James Polchin
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